Panasonic HX-A500E Camcorder Review

What is a Panasonic HX-A500E?

The HX-A500E is Panasonic’s
first 4K movement camera. It can’t explain to be a world’s initial 4K action
camera overall, as that fame was grabbed by GoPro’s
HERO3 Black Edition, fast followed by the
HERO3 Black Edition. However, while a HERO 3 Black Edition drops to
a support rate next unchanging TV in 4K mode, a Panasonic HX-A500E
doesn’t, and that’s not a customarily approach it breaks a GoPro movement camera
mould.


Panasonic HX-A500E – Design and Features

The primary disproportion from a movement camera normal is the
way a HX-A500E is divided into dual portions, as we reported in
our initial impressions preview. On one finish of an umbilical wire is a
fixed lens, sensor and mono microphone assembly, while a other
contains a recording system, that houses a 1.5-inch LCD shade and
three control buttons, including a joystick for navigating a menu.
Storage and connectivity is found here also.

The doorway covering
the Micro SD label container and Micro USB pier slides into place and afterwards has
a apart switch to close it shut. This allows a whole package to be
rugged to general standards. The HX-A500E is waterproof to 3m and
IPX8 standard, as good as dustproof to IP5X. There’s no particular
standard for impact resitance, nonetheless a camcorder is sturdily constructed,
with a thick cosmetic row over a LCD screen. This 1.5-inch display
turns itself off automatically after a brief duration of non-use, that is
a accessible power-saving feature.

SEE ALSO: GoPro HERO3 Black Edition
Panasonic HX-A500E
The
title 4K recording format is 3,840 x 2,160 during 25 on-going frames
per second, that is radically 4 times a fortitude of Full HD.
Technically, this is called Ultra HD, rather than 4K, given a latter
is natively 4,096 x 2,160, with a 19:10 aspect ratio. But even
mentioning this feels a small like bursting hairs. The HX-A500E’s 4K
mode runs during a vast 72Mbits per second, that is good into broadcast
territory, and means we can fit usually underneath an hour of footage on a 32GB
Micro SD card.

Below a tip resolution, there are also options
to fire both Full HD (1,920 x 1,080) and 720p (1,280 x 720) during 50 or 25
on-going frames per second, as good as 848 x 480 during 25 progressive
frames per second. The latter is customarily called WVGA, and is a
widescreen 16:9 aspect chronicle of VGA, with a information rate of 4.5Mbits per
second. So there are recording options for each situation, and the
HX-A500E can constraint stills during adult to 5,376 x 3,024, that is over the
resolution of a sensor so clearly involves some interpolation.

Panasonic HX-A500E You
can also select between customary and far-reaching fields of view, though customarily for
the resolutions next Ultra HD. This provides approximately a 160-degree
margin of perspective though causes poignant exaggeration to a image.

The
distortion competence not make a HX-A500E so renouned with a most
professional finish of a market, nonetheless here even GoPros have their
weaknesses, with professionals mostly modifying them with rebate distorting
lenses, during a responsibility of a narrower margin of view.

The HX-A500E is formed on a 1/2.3-inch BSI CMOS with 12.76Mpixels,
which is rather incomparable than a GoPro Black Edition’s. This provides
9.03Mpixels when sharpened video, and 8.34Mpixels for still images. It’s a
comparatively vast sensor for an movement camera, and promises a noise-free
design with good low light abilities.

It also allows a HX-A500E to
offer design stabilisation and a spin shot function, nonetheless this isn’t
optical, though digital, and customarily accessible during 1080p25 sharpened mode or
below. It’s still acquire where many other movement cameras don’t have
this trickery during all.

Because of a surprising configuration
compared to many of a movement cameras we have reviewed before, apart
from
Dogcam’s MiniDVR HD, a bundled mountings are also rather novel.

The recorder apportionment goes into a tote that is designed to tag to
your arm like your MP3 actor when you’re out running. The lens snaps
into a conduct strap, that includes a sprung steel apportionment and a
rubberised support during a front. It’s not a many appealing or unobtrusive
of arrangements, though it does give we utterly a bit some-more control over
where a camera is indicating than many helmet mountings.

The
HX-A500E’s menu does offer some useful settings. Aside from configuring
a recording mode, angle of view, design stabilisation and spin shot
functions already mentioned, we can configure white balance. There are
auto, daylight, pale and dual indoor settings, as good as a user
setting, that we can also set manually.

There’s backlight compensation
available, a colour night perspective mode, and we can also spin the
microphone off as good as capacitate a breeze cut mode. Slow suit is
available, as good as a loop recording choice where a oldest files are
transposed with new ones when storage is full.

Like any
self-respecting movement camera, a HX-A500E comes with built-in Wi-Fi.
This can work in a now-familiar approach where a camcorder becomes an
access indicate that we bond your mobile device to (so no Internet
connection during a same time), after that we can bucket adult a Panasonic
Image App for control. This is accessible for iOS and Android. However,
it’s also probable to bond a camcorder and mobile device around an
existing entrance point.

Panasonic HX-A500E

The
app lets we perspective what a camera is saying and also toggle record. You
can change a recording format, as good as switching between normal
mode, delayed suit and loop recording. You can change a white balance
settings, spin on a mic and breeze sound reduction, and backlight
compensation and colour night record, so flattering most all a settings
are available.

There are some really singular modifying and print collage
abilities too. The latter lets we arrange adult to 5 photos into a
preset frame, while a former lets we squeeze sections of clips and
stitch them together to emanate new compositions.

Panasonic HX-A500E: Image Quality

All of this
would be indecisive if a HX-A500E constructed a bad video peculiarity often
found in movement cameras. But Panasonic hasn’t skimped on this area. The
4K mode is most some-more than a gimmick, and produces good levels of detail
as good as rich, accurate colour. The obtuse resolutions say the
colour fidelity, nonetheless naturally remove a excellent detail.

As
mentioned before, a far-reaching angle of perspective choice does significantly
distort a image, and there is a spin of exaggeration even but it,
although this is customarily an emanate with movement cameras, as we do want
to locate as most of a periphery as probable when you’re not able
concentrate on indicating a camera precisely. The HX-A500E also belies
its format in low light, with a splendid design confirmed to low levels.
Performance is quite worthy here for an movement camera.



Should we buy a Panasonic HX-A500E?

The
Panasonic HX-A500E is a critical movement camera contender. Where there is
a poignant order between consumer and veteran in the
mainstream camcorder market, movement cameras straightforwardly cranky over, with
GoPros used extensively in a new Need For Speed movie, for example.
Alongside this, there’s small doubt that 4K is coming.

Where 3D has
failed dismally among consumers, essentially given people don’t want
to lay in their vital bedrooms wearing 3D glasses, 4K could good be
different, given it is simply a approach fortitude alleviation over HD.
So Panasonic’s HX-A500E is a shrewd move, providing good design quality
and useful facilities in a format that is stretchable and easy to use,
although a cost is now around £80 some-more than a GoPro HERO3
Black Edition, so a latter still has a corner on value.

Verdict

The Panasonic HX-A500E lays down a gauntlet to GoPro, with able 4K sharpened in a rugged, feature-rich movement camera format.

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