Red Giant Releases Update to Trapcode Suite

Red Giant Trapcode Suite 14.1

Red Giant currently expelled Trapcode Suite 14.1, a giveaway refurbish to a apartment of 11 collection for 3D suit graphics and visible effects in Adobe® After Effects® that includes tons of overwhelming new facilities in Particular, Form, Mir and 3D Stroke.

This refurbish comes usually before Red Giant’s annual Spring Sale when, for usually 24 hours starting during 8AM PDT on Tuesday, Apr 24th, all full licenses, upgrades and educational store products found in a Red Giant online store will be on sale during 30% off a strange price. And, between now and when a sale kicks off, Red Giant will be giving divided a full Red Giant toolset each 24 hours. Get a full sale and giveaway sum on a Red Giant blog.


Trapcode Form 3.1

  • Multiple forms in a same 3D Space. Like Trapcode Particular, we can now have mixed form molecule grids and 3D objects (AKA Forms) in a same 3D space.
  • Over 60 new mixed Form presets to assistance fast emanate suit graphics and VFX
  • Updated UI with playback controls combined to a Designer to make previewing easier than ever before.
  • GPU acceleration, giving we a speed boost of adult to 2x (or more), depending on your setup.

Trapcode Mir 2.2

  • New Material and Shading Options, including image-based lighting/reflection mapping.
  • Depth of Field. Create camera-realistic blurs for Mir surfaces, formed on their stretch from a After Effects 3D camera.

Trapcode 3D Stroke 2.7

  • Color Mapping. You can now tone your cadence with a plain tone or use a tone ramp over X, Y Z and more.
  • Thickness Curve. Control a density of your categorical trail regulating informed Trapcode bend controls.
  • New Individual X/Y/Z scale controls for a repeater.

Particular 3.1

  • Updated UI with playback controls combined to a Designer to make previewing easier than ever before.
  • Relative Emission Rate. The Particles/sec of your additional systems can now be set relations to a master emitter. For example, users can set a second emitter to beget particles during half a rate of a master – or double. And if we lift a volume of a master, a second emitter changes a value automatically to keep a ratio.
  • Speed Based Emission. Particles/sec can be driven by a emitter speed. For example, when a emitter is not relocating we would get no particles being generated, though when it is in motion, particles are emitted. And a faster a emitter moves, a some-more particles are generated formed on a multiplier.

Trapcode Form and Particular Designer Usability Updates

Based on user feedback, Red Giant combined and softened a following Designer features:

  • New playback controls.
  • In a mixed complement setup, users can now ask a singular complement preset as a new complement or reinstate a comparison complement though inspiring other systems if desired.
  • Improved navigation of folders – open/close preset folders by clicking on their name, or Shift+Clicking to open/close all folders.
  • Ability to save a singular complement preset if usually one complement is active. Previous versions always saved a mixed complement preset.
  • User can singular click to revise parameter values in a designer.
  • Hit Escape to exit a Designer, or any open window.


Customers regulating a stream chronicle of Trapcode Suite can get a refurbish here.


Download a giveaway hearing here.

The Red Pledge

Red Pledge is Red Giant joining to patron happiness, with no purchasing hassles. Learn about a Red Pledge pledge during

Request a Review Kit

Members of a media are invited to examination any/all plugins from a full Red Giant Trapcode Suite. For some-more information or to ask a product examination kit, greatfully hit Alexis Isaacs during alexis(at) Press images for Red Giant Trapcode Suite 14.1 can be noticed here.

About Red Giant

Red Giant is a program association done adult of gifted artists and technologists who combine to emanate singular collection for filmmakers, editors, VFX artists, and suit designers. Our association enlightenment is focused on anticipating change between work and life – we call it “the double bottom line” – this truth helps us omit complexity in preference of building elementary collection that produce hulk results. Over a final decade, a products (like Magic Bullet, Trapcode, Universe and PluralEyes) have turn a customary in film and promote post-production. With over 200,000 users, it’s scarcely unfit to watch 20 mins of TV though saying a program in use. From a practice as artists and filmmakers, we aspire to not usually yield collection for artists, though impulse as well. Watch a films, learn from over 200 giveaway tutorials, or try a program during

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