What is a Sony HT-ST5000?
Don’t worry with a HT-ST5000 is you’re nursing a bill 40-inch telly. This is a full-width (1.18m) flagship soundbar that’s unashamedly ostentatious. Headline attractions embody Dolby Atmos compatibility, High-Res Audio support, Bluetooth and Chromecast Built-in. It’s absolutely a many feature-laden soundbar Sony has ever produced.
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Sony HT-ST5000 Dolby Atmos soundbar – Build peculiarity and connectivity
Lavish and lush, it looks superb. The fabric cover is removable so that we can admire a drivers. A span of gold-rimmed, high magnitude tweeters lay left and right, while a tweeter flanked by mid-range squawkers takes centre stage. Top mounted, behind steel grilles, are upfiring Dolby-enabled speakers for Dolby Atmos and Surround duties.
Even a wireless subwoofer, customarily a cosmetic afterthought with 2.1 packages, is formally premium. No small MDF box, it facilities a forward-facing grille, matte lid and sits on a stylised plinth. Inside, there’s a forward-forward confronting motorist and vast downwards-facing pacifist radiator. During setup it connects automatically with a soundbar, a immature LED intense in confirmation.
Connectivity is generous. Look to a behind and you’ll find 4 HDMIs, one ARC-enabled. All support HDCP 2.2 for 4K sources.
There’s also sustenance for an visual digital audio connection, stereo around minijack and ethernet. Wireless certification embody dual-band Wi-Fi, NFC, and Bluetooth with LDAC (Sony’s possess high-bandwidth protocol). If you’re wondering where a USB pier is, it’s dark on a right corner of a bar.
While many users will plonk this beauty in front of a screen, there are keyholes on a behind for wall ascent if we prefer.
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Sony HT-ST5000 Dolby Atmos soundbar – Features
Functionality mimics that of an AV receiver. This is reflected by a tiled user interface that lists submit options, and connected home network devices. The Music Service List indeed comprises usually Spotify and Chromecast Built-in (formerly famous as Google Cast).
Unlike a normal AVR, though, a complement doesn’t come with any calibration mic. There are some settings we can modify, such as Distance, Level and roof height, though it’s really most block and play.
While a HT-ST5000 is clearly dictated to be used with High-Res Audio content, we can upscale dense audio regulating Sony’s softly effective DSEE HX processor. There’s also a DRC (Dynamic operation compression) control, though this should be left off. A operation of rather well-designed audio presets can be practical to all sources.
Sony HT-ST5000 Dolby Atmos soundbar – Performance
Seismic. Sublime. Sort-of-surroundy. All these can be used for a HT-ST5000. It is, by and large, a beautiful-sounding audio system, means to emanate a wide, stereophonic soundfield.
It should be stressed that Dolby Atmos here is not directly allied to that from an AV receiver regulating speakers in a 5.1.2 (or greater) configuration. Dolby itself refers to Atmos as an ‘experience’ that adapts to a hardware it plays on – and that’s what we get.
This is evidenced by a Dolby authored Atmos exam front that facilities an audio-only fly-over of a 747 jet. The HT-ST5000 reaches high, though doesn’t convincingly communicate a clarity of direction. Consequently, a craft doesn’t seem to travel, though ascends like a VTOL Harrier Jump Jet.
Sonic soak is dependant on a listening position. Ideally, we found sitting around 1.5m from a soundbar, with a roof tallness of some 2m, gave a best results. At this indicate we enjoyed wide, high stereo, with Cinerama-style ear-tickling (back in a Sixties, Cinerama used 3 projectors to emanate an expanded winding regard experience).
Spatial clarification within this theatre is outstanding. This is quite effective on a opening to Mad Max Fury Road (Blu-ray). Those ‘Where are you?’ echoes clearly mount detached from Max’s narration. Run-of-the-mill soundbars usually can’t delineate this well. However, when a War Boys bark in, they don’t burst from behind to front, though enter from a wings.
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If we don’t possess that most Atmos software, you’ll still advantage from a HT-ST5000’s orator configuration. Height-scaling can be practical to all sources, so those upfiring speakers are always perplexing to supplement scale and depth.
Legends of Jazz, featuring Jane Monheit and John Pizzarelli, is a Dolby 7.1 mix, featuring a silky vocal, and a double drum that has a subwoofer dancing. The HT-ST5000 does a superb pursuit recreating a insinuate unison ambience of a track, regulating a upfiring speakers to raise a acoustic elements.
The HT-ST5000 is surprisingly achieved with song sources, streamed, expel or from disc. A 24-bit 96kHz FLAC vinyl slice of Rust in Peace (Megadeth), filtered around a 3D Surround preset, becomes a tasty assault. By approach of contrast, String Quartet No.16 in F major, by a Belcea Quart (FLAC 96kHz 24-bit) is an altogether some-more courteous affair. There’s a levity to those high-res tweeters that is superb in a extreme.
While some of Sony prior 2.1 packages have suffered from a miss of bass, that isn’t a box here. Alice Cooper’s School’s Out (FLAC 44.1kHz 16-bit) has a subwoofer moving my building like a volleyball group in a high-school gym. The underling honestly drops low, thrumming during 31.5kHz, and moving room equipment during 50 Hz. The soundbar crosses over during 100Hz.
Unsurprisingly, a complement is during home with DSD. Marianne Thorsen’s Mozart Violin Concerto in D Major sounds wonderful. There’s a clarification to a display that goes a prolonged approach to justifying a system’s eye-watering cost tag. The same lane in FLAC 44.1kHz 24-bit lands a small heavier by a sub, though a clarity stays as entertaining.
Should we buy a Sony HT-ST5000?
If you’re after a no-compromise 2.1 sound system, few sound improved or are as good equipped. This Sony boasts huge clarity and a kind of dynamics you’ll wish from your film soundtracks. It goes shrill though sounds smooth, and has a supernatural LFE performance. It’s also good with song – rock, classical, polkas, it’s polished adequate to cope with all.
With a HT-ST5000, Sony has constructed a marvellous audio system. It asks small of a user, requiring subsequent to no set-up and handling calm – from 4K to DSD – automatically. If we listen to High-Res Audio, you’ll feel formally rewarded, and cinema and TV shows sound immense. The usually genuine premonition is that clarity of Dolby Atmos immersion, or rather miss of it (an regard that substantially relates to any 2.1 Dolby Atmos implementation). All things considered, we could positively live with a compromise.
File underneath ‘Flippin’ impressive’.